aint no point in recording it at a higher rate than the original
Correct.
"Any chain is only as strong as its weakest link." Strengthening any link other than the weakest doesn't improve the strength of the chain overall. But iirc the Win7 "rip" software I've been using tops out at CD quality, or .wav format, yes 96 iirc. I haven't ripped since converting the DVRs to Win10, about a year ago.
There are flash-drives / thumb-drives with capacity to hold a hundred CD quality "ripped" tracks. For the $few $dollars extra it might seem to cost, the superior audio quality is unlikely to do harm, and may on margin make the difference between comprehensible audibility, and incomprehensible background yammer.
Some USB equipped stereos may only support flash-drive capacity up to a set specification. Perhaps if that capacity is exceeded, the stereo will only recognize the capacity up to the radio limit, and ignore the rest of the program material on the flash-drive. -OR -
It won't work with that flash-drive at all. SO !!
Read the owner's manual. Probably best to download the pdf from the manufacturer for that specific model #number. "Specifications" should list the max. capacity flash-drive compatibility for that unit, along with other relevant details, if any (none I know of).
USB 3.0 or higher is better than USB 2.x. Might not matter, but I recommend the higher performance, even if only for forward compatibility.
Im old, Im going deaf and most of my listening is done in the car what use have I of HiFi?
My experience, low grade audio such as the broadcast TV sound-track of old black-&-white TV series is not the best.
When I watch these episodes from my DVR I can add subtitles. The implementation is ham-handed, not user friendly. For example a rapid burst of dialogue that elapses before the subtitle can be read might seem a problem. DVR "pause" button to the rescue. Right?
Wrong. The subtitle can disappear on pause, and may not reappear without skipping back 10 seconds in the sequence.
As you know m #49 but some others may not, human hearing might seem to be linear, meaning, a 40 dB signal at 200 Hz sounds as loud as a 40 dB signal at 2,000 Hz, as it would with a flat linear characteristic fully across the human hearing spectrum from top to bottom.
It's not.
And not only is it not, at one static level of volume fully across the frequency spectrum. It varies further as volume changes.
note, the following not a quotation:
The Fletcher Munson Curve is a graph that illustrates as the actual loudness changes, the perceived loudness varies from one frequency to another.
- At low listening volumes – mid range frequencies sound more prominent, while the low and high frequency ranges seem to fall into the background.
- At high listening volumes – the lows and highs sound more prominent, while the mid range seems comparatively softer.
Yet in reality, the overall tonal balance (equalization) of the sound remains the same regardless of listening volume.
Find out why a good understanding of the Fletcher Munson Curve will help improve your mixing technique when working in your home studio.
ehomerecordingstudio.com